qahera:

a quick comic on accountability. sometimes it is important to disassociate yourself from patriotism and realise when you are contributing to the suffering of others. 

the names of the martyrs listed in panels 23, 24 and 25 are as follows:

[panel 24]
1. Mohammed Shaaban, 24
2. Ahmed Shaaban, 30
[panel 23]
24. Abdel Hadi Jamaat al-Sufi, 24
25. Naifeh Farjallah, 80.
26. Abdel Nasser Abu Kweek, 60
27. Khaled Abu Kweek, 31
28. Mohammed Areef, 13
28. Amir Areef, 10
30. Mohammed Malakiyeh, 18 months old
31. Hana Malakiyeh, 27
32. Hatem Abu Salem, 28
33. Mohammed Khaled al-Nimri, 22
34. Sahar Hamdan, 40
35. Ibrahim Masri, 14
36. Mahmoud Nahid al-Nawasra
37. Mohammed Khalaf al-Nawasra, 4
38. Nidal Khalaf al-Nawasra al-Meghazi, 5
39. Salah Awwad al-Nawasra al-Meghazi, 6
40. Aisha Nijm al-Meghazi, 20
41. Amal Youssef Abdel Ghafour, 27
42. Ranim Jawde Abdel Ghafour, an 18-month-old girl
43. Rashid al-Kafarneh, 30
44. Ibrahim Daoud al-Balawi, 24
45. Abdel Rahman Jamal al-Zamli, 22
46. Ibrahim Ahmad Abideen, 42
47. Mustafa Abu Mar, 20
48. Khalid Abu Mar, 23
49. Mazen Farj al-Jarbah, 30
50. Marwan Slim, 27
51. Hani Saleh Hamad, 57
76. Omar al-Fyumi, 30
77. Abdullah Ramadan Abu Ghazzal, 5
78. Ismail Hassan Abu Jamah, 19
79. Hassan Awda Abu Jamah, 75
80. Mohammed Ahsan Ferwanah, 27
81. Yasmin Mohammed Mutawwaq, 4 
82. Mahmoud Wulud, 26
83. Hazem Balousha, 30
84. Nour Rafik Adi al-Sultan, 27
85. Ahmad Zaher Hamdan, 24
86. Mohammed Kamal al-Kahlout, 25
87. Sami Adnan Shaldan, 25.
88. Jamah Atieh Shalouf, 25
89. Bassem Abdel Rahman Khattab, 6
90. Abdullah Mustafa Abu Mahrouk, 22
91. Anas Rizk Abu al-Kas, 33
92. Nour Marwan al-Najdi, 10
93. Mohammed Mounir Ashour, 25
94. Ghalia Deeb Jabr al-Ghanam, 7
95. Wasim Abd al-Rizk Hassan al-Ghanam, 23
96. Ra’ed Hani Abu Hani, 31
97. Shahraman Ismail Abu al-Kas, 42
98. Mazen Mustafa Aslan, 63

[panel 25]

998. unknown
999. unknown 
1000. unknown

(at the time of writing this comic, the list of victims was at 1000. it has now surpassed that number. the full list is here).

no politics, just regular human stuff. 


I can’t accept that. I can’t accept that there was only one black woman in the entire film, who delivered one line and who we never saw again. I can’t accept that the bad guys were Asian and that although in China, Lucy’s roommate says, “I mean, who speaks Chinese? I don’t speak Chinese!” I can’t accept that in Hercules, which I also saw this weekend, there were no people of color except for Dwayne Johnson himself and his mixed-race wife, whose skin was almost alabaster. I can’t accept that she got maybe two lines and was then murdered. I can’t accept that the “primitive tribe” in Hercules consisted of dark-haired men painted heavily, blackish green, to give their skin (head-to-toe) a darker appearance, so the audience could easily differentiate between good and bad guys by the white vs. dark skin. I can’t accept that during the previews, Exodus: Gods and Kings, a story about Moses leading the Israelite slaves out of Egypt, where not a single person of color is represented, casts Sigourney Weaver and Joel Edgerton to play Egyptians. I can’t accept that in the preview for Kingsman: The Secret Service, which takes place in London, features a cast of white boys and not a single person of Indian descent, which make up the largest non-white ethnic group in London. I can’t accept that in stories about the end of the world and the apocalypse, that somehow only white people survive. I can’t accept that while my daily life is filled with black and brown women, they are completely absent, erased, when I look at a TV or movie screen.
-Olivia Cole - Lucy: Why I’m Tired of Seeing White People on the Big Screen (via noely-g)

(Source: whatwhiteswillneverknow)



asylum-art:

Néle Azevedo :Ice Men Figuriines in Belfast, Ireland

brazilian artist néle azevedo ,presented as part of the belfast
festival at queen’s university in northern ireland.
the artwork is a collection of hundreds of carved ‘ice-men’, ‘Monumento Minimo’, perched readily side by side on the steps of custom house in the city of belfast, a carefully prepared intervention that slowly thawed under the heat of the day. the figures sit slouched, with legs dangling – an oddly charming set of characters
full of aloof charisma. the project was selected by the curator of the event as a tribute to titanic victims,  the ephemeral artwork a powerful expression of  the transitory nature of life, and death.